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Название: Черная гвоздика
Год выхода: 2007
Жанр: Drama / Thriller
Режиссер: Ульф Хультберг
В ролях: Микаэль Нюквист, Лиса Верлиндер, Луми Кавазос, Карстен Нёргорд, Даниэл Хименес Качо, Кристиан Кампос
Продолжительность: 01:31:06
Язык: Русский

О фильме: В 1972 г. Харальда Эдельстама (Микаэль Нюквист) назначают на пост Посла Швеции в Чили. Он открыто поддерживает всенародного избранного президента от социал-демократов Сальвадора Алленде и принимает участие в ряде социальных проектов страны. Но в один день изменилось все. Военные, под руководством Августа Пиночета, смещают Алленде и начинают кровавую охоту за своими политическими оппонентами. Сотни активистов подверглись пыткам, а затем были казнены на государственном стадионе в Сантьяго. Рискуя своей собственной жизнью, Эдельстам принимает решение использовать все возможные свои дипломатические привилегии и предоставляет политическое убежище для активистов, чьей жизни угрожает опасность. Неординарный дипломат играет по-крупному. В это тревожное время Эдельстам начинает любовные отношения с молодой активисткой по имени Консуэло…

Фильм номинирован на кинофестивалях:
Международный кинофестиваль в Дурбине
Международный кинофестиваль в Бухаресте
Шведская кинонеделя в Южной Африке

“Frida” chronicles the life Frida Kahlo (Salma Hayek) shared unflinchingly and openly with Diego Rivera (Alfred Molina), as the young couple took the art world by storm. From her complex and enduring relationship with her mentor and husband to her illicit and controversial affair with Leon Trotsky, to her provocative and romantic entanglements with women, Frida Kahlo lived a bold and uncompromising life as a political, artistic, and sexual revolutionary.

An international soccer star is on his way to sign a multi-million dollar contract when something happens that brings his career to an abrupt end. A waitress, struggling to make it in New York City, discovers something about herself that she’s unprepared for. In one irreversible moment, their lives are turned upside down…until an impetuous action brings them together and turns an ordinary day into an unforgettable experience. Once a famous athlete, and now a cook at his brother’s Mexican restaurant, José has retreated from the world but he recognizes something in Nina, a young waitress, and reaches out to her. In the course of a single day, he not only confronts his past but shows her how the healing power of a family can help her embrace the future.

On a trip to a Mexican border town, three college friends stumble upon a human-sacrifice cult.

A drama based on an ancient Chinese proverb that breaks life down into four emotional cornerstones: happiness, pleasure, sorrow and love. A businessman (Whitaker) bets his life on a horse race; a gangster (Fraser) sees the future; a pop star (Gellar) falls prey to a crime boss (Garcia); a doctor (Bacon) must save the love of his life.

Joan Wilder is a mousey writer of romance novels. She finds a package from her sister mailed from Colombia in her mailbox. A call from her sister tells her that she has been kidnapped and that bringing the package to Colombia is necessary for her safety and release. Being fairly clueless, she leaves for Colombia to rescue her sister. She is lost within hours of her arrival. She is nearly murdered by one of the men searching for the package when Jack Colton, a fairly low life American rescues her. They begin a journey through the jungle with bullets flying nearby. Is Joan up to all of this? What a way to find out.

A wave of kidnappings has swept through Mexico, feeding a growing sense of panic among its wealthier citizens, especially parents. In one six-day period, there were twenty-four abductions, leading many to hire bodyguards for their children. Into this world enters John Creasy, a burned-out ex-CIA operative/assassin, who has given up on life. Creasy’s friend Rayburn brings him to Mexico City to be a bodyguard to nine-year-old Pita Ramos, daughter of industrialist Samuel Ramos and his wife Lisa. Creasy is not interested in being a bodyguard, especially to a youngster, but for lack of something better to do, he accepts the assignment. Creasy barely tolerates the precocious child and her pestering questions about him and his life. But slowly, she chips away at his seemingly impenetrable exterior, his defenses drop, and he opens up to her. Creasy’s new-found purpose in life is shattered when Pita is kidnapped. Despite being seriously wounded during the kidnapping, he vows to kill anyone involved in or profiting from the kidnapping. And no one can stop him.

KING OF CALIFORNIA stars Michael Douglas as a fresh-out-of-the-mental institution father, and Evan Rachel Wood as his emancipated teenage daughter, as they venture together on a quest for an ancient Spanish treasure buried beneath their local Costco in this in this darkly funny, exciting and surprisingly hopeful take on the modern family and the American dream.

An aging antique dealer, Jesus Gris, happens upon an elegant mechanized scarab. When opened, it painfully stabs whomever is holding it, but the wound brings youthful vigor and a vampire’s need for blood. The device is relentlessly pursued by a dying tycoon, Dieter de la Guardia, whose nephew Angel, reluctant to see his uncle live a moment longer, must still do the old man’s bidding. Meanwhile, Gris’s desires endanger his own granddaughter, Aurora.

Richard and Susan are a couple from San Diego, California who are vacationing in Morocco while their two children are at home with their Mexican housekeeper, Amelia. A rifle finds its way into the hands of a local herdsman’s young sons, who recklessly take a shot at a tour bus and hit Susan in the shoulder, causing her severe injury. The distraught Richard calls home to tell Amelia of the situation, who shortly departs for Mexico to attend her son’s wedding, with Richard and Susan’s children in tow. Disaster thus multiplies, with the situation in Morocco ascribed to terrorists in the media, while Amelia meets with trouble at the Mexican border when she attempts to return to San Diego with Richard and Susan’s children. Meanwhile, in Tokyo, a widower tied to the rifle in question, a complex shift of ownership to which the audience is privy, attempts to deal with the memories of his recently deceased wife and his strained relationship with his deaf teenage daughter.