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While in the burial of Countess Torlato-Favrini, her friend Harry Dawes and her acquaintance Oscar Muldoon recalls parts of her past. When the wealthy Kirk Edwards hires director and screenplay writer Harry Dawes, they travel to Spain with the public relations Oscar Muldoon to see the dancer of a nightclub Maria Vargas and invite her for an audition, since they need a new face for their next movie. Maria, a naive woman with simple origins, is convinced by Harry to go to Hollywood and becomes a famous star and a close friend of Harry and his girlfriend Jerry. Along her successful career, Maria lives personal dramas including lack of adaptation for her new lifestyle, is unable to love and is disputed by the powerful millionaires Kirk Edwards and Alberto Bravano. When she meets the noble and handsome Count Vincenzo Torlato-Favrini in the French Riviera, she believes that she found her prince charming and her life becomes a fairy tale. But after the wedding, she sees that her Cinderella’s castle of dreams has become a pumpkin.

Tirante the knight is as committed to fighting the Turks in Constantinople as he is to relieving Carmesina, the heiress to the Byzantine Empire, of her virginity.

In present day Montreal, a famous Nicolo Bussotti violin, known as “the red violin,” is being auctioned off. During the auction, we flash back to the creation of the violin in 17th century Italy, and follow the violin as it makes its way through an 18th century Austrian monastery, a violinist in 19th century Oxford, China during the Cultural Revolution, and back to Montreal, where a collector tries to establish the identity and the secrets of “the red violin.”

After various skirmishes, two wounded soldiers, one Bosnian and one Serb, confront each other in a trench in the no man’s land between their lines. They wait for dark, trading insults and even finding some common ground; sometimes one has the gun, sometimes the other, sometimes both. Things get complicated when another wounded Bosnian comes to, but can’t move because a bouncing mine is beneath him. The two men cooperate to wave white flags, their lines call the UN (whose high command tries not to help), an English reporter shows up, a French sergeant shows courage, and the three men in no man’s land may or may not find a way to all get along.

Isabel and Clara are growing up in a time of terror. It is 1492, and Spain has decreed that all Jews must either convert to Catholicism, go into exile or face trial and execution. Although forcibly baptized, the sisters are chased through Christendom until they arrive in Venice. It is in this great maritime empire, where opulence rhymes with tolerance, that Isabel organizes secret passages for refugees fleeing the Inquisition while Clara falls in love with a Venetian noble, Paolo Zane. Isabel intends for her family to go to Istanbul, the only place where Jews can live freely, but Clara is reluctant to leave. She challenges Isabel’s authority and is prepared to break her family ties and sacrifice her faith for love. Caught in this battle of wills is Clara’s daughter, Victoria, who finds she is about to be married into the same faith that murdered her father.

At the beginning of the 19th century, Napoleon’s forces controlled much of Europe. In Russia, one of the few countries still unconquered, the army prepares to face Napoleon’s troops in Austria. Among the soldiers are Nicholas Rostov (Jeremy Brett) and Prince Andrei Bolkonsky (Mel Ferrer). Pierre Bezukhov (Henry Fonda), a friend of Andrei’s and self-styled intellectual who “knows what’s right but still does wrong,” is not interested in fighting. Pierre’s life changes when his father dies, leaving him a vast inheritance. He is attracted to Natasha Rostov (Audrey Hepburn), Nicholas’s sister, but gives in to baser desires and marries the shallow, materialistic Princess Helene (Anita Ekberg). The marriage quickly ends when Pierre discovers his wife’s true nature. Andrei is captured and later released by the French, and returns home only to watch his wife die in childbirth. During a visit to the country months later, Pierre and Andrei meet again. Andrei sees Natasha and falls in love, but his father will only permit the marriage if they postpone it for one year. While Andrei is away in Poland on a military mission, Natasha is drawn to Anatole Kuragin (Vittorio Gassmann), a scoundrel and libertine. Pierre tells Natasha of Anatole’s past before she can elope with him. Napoleon (Herbert Lom) invades Russia. Pierre visits Andrei on the eve of the battle, and observes the battle that follows. Traumatized by the carnage, he vows to kill Napoleon himself.

In 1984, in Kiev, the communist teacher Andrej Romanovic Evilenko is dismissed from his position after a pedophilic act against a student. On 15 May 1984, the pedophile Evilenko begins to rape children, and then slashing the victims in pieces and eating them. The magistrate family man Vadim Timurouvic Lesiev is assigned to catch the serial killer and almost eight years later he finally captures the monster that killed fifty-five persons, most of them children and young women. On 22 May 1992, Evilenko goes to the court and on 14 February 1994 he is finally executed.

Young and beautiful librarian girl studies China, when she accidentally discovers Kama Sutra. Then she begins to experience different (and, which is of more interest, delightful!) visions of erotic scenes which become slowly to intertwine with her real life…

Giulio, a film student working on his thesis, spends most of his time at the local video store, when he’s not busy watching German expressionists or classic thrillers. One night at the store he becomes acquainted with Sasha, who turns out to live across the street from his apartment. The next day, Sasha’s mother is found dead. Giulio is convinced the murder has been inspired by the films of Alfred Hitchcock, and against his new girlfriend’s advice, decides to start his own investigation.

Set in Paris in 1919, biopic centers on the life of late Italian artist Amedeo Modigliani, focusing on his last days as well as his rivalry with Pablo Picasso. Modigliani, a Jew, has fallen in love with Jeanne, a young and beautiful Catholic girl. The couple has an illegitimate child, and Jeanne’s bigoted parents send the baby to a faraway convent to be raised by nuns. Modigliani is distraught and needs money to rescue and raise his child. The answer arrives in the shape of Paris’ annual art competition. Prize money and a guaranteed career await the winner. Neither Modigliani, nor his dearest friend and rival Picasso have ever entered the competition, believing that it is beneath true artists like themselves. But push comes to shove with the welfare of his child on the line, and Modigliani signs up for the competition in a drunken and drug-induced tirade. Picasso follows suit and all of Paris is aflutter with excitement at who will win. With the balance of his relationship with Jeanne on the line, Modigliani tackles this work with the hopes of creating a masterpiece, and knows that all the artists of Paris are doing the same.